Recently did a job for TLC that had me running a nice kit. I unfortunately did not get a super sexy picture of me or the rig!!! But essentially it consisted of a 442 mixer, 744T recorder, 2 Lectro 211’s, a TC Slate, an Edirol R9 for transcription recording, and a boom. I used a cool cable for running the TC to the Edirol…it is the Peter Engh T2 cable …I find this more convenient than the box solution, but I did have to insert an in-line pad to make the TC level from the 744T to be acceptable.
We were running TC at 23.98 that I sync’d from the 744T to the RED but it had to be re-jamed anytime the RED powered down. I’m like the farthest thing from an electrical engineer, but it seems like a simple fix to put a small battery in the camera to maintain the TC when changing batteries etc….but hey, that’s just me.
The shoot was pretty mellow….the only thing was they were shooting LONG takes…like 45 minutes and I did not have a boom op, I was OTS and had to hand hold the boom the entire time……good times.
I am not really 100% up to speed on the RED build numbers and features added per build, but I can report that this build did alow the camera to recieve TC, it did have a way for me to monitor my return, and it also sounded decent with my line level signal feeding it. Camera dept had the RED audio cables which have been described this way:
“The Red Camera is supplied with short XLR-to-TA3 adapter cables. These cables have resistors built-in to change impedance and reduce signal level. When used without these cables, the Red inputs can be characterized as “-10″ level (full scale on the meter = +8.2 dBu) with 600 ohm input impedance.”
Anyway…all went well and it was a beautiful day to boot! There’s probably alot more I could say, but I’m all typed out…..

Oh, I should mention that Paul LeBlanc was the VTR and I love that guy. He is always super calm, competent, and helpful. Thanks Paul!